Sam Wilson
05-17-2006, 07:22 PM
Sam Wilson’s Reviews
Special note, wktf is out of town this week on business, he left us with a tpb review, but no comics reviews. He may or may not post some later this week. Word.
There are a lot of good books going on sale this week, Robin, Manhunter and DMZ from DC comics and from Marvel we got Ms. Marvel, Captain America, Wolverine Origins and Ultimate X-men. I love that Steve Dillon, been a fan of his since his days on Hellblazer, so of course my pick of the week is Wolverine Origins, and that being said, on to the reviews…
Wolverine: Origins #2
Marvel Comics
Written by: Daniel Way
Drawn by: Steve Dillon
Awesome Alternate Cover by: Brian Hitch, regular cover by that a$# clown Joe Quesada
For those of you who haven’t been paying attention, “Wolverine: Origins” stems from the events of the “House of M” crossover. During “House of M” all but 198 mutants lost their powers. Wolverine was one of the mutants who kept his powers, but he suddenly found himself with something else as well, all his memories from his entire life, restored (about 100 years worth, give or take). So yeah, all the “Wolverine man of mystery” stuff we’ve been fed since the early Byrne/Claremont days in “Uncanny X-men” is a mystery no more. Now that Wolverine has all of his memories back he is pissed off. Most of his life he has been screwed over by one government or another doing unspeakable, unforgivable things, and the only thing he has left is revenge, revenge against those who wronged him. So Wolverine starts out his journey by knocking on the Silver Samurai’s door, cutting his hand off and taking his Muramasa Blade for his own (this happened in “Wolverine” #40) For those of you who care, the Muramasa Blade is a legendary Japanese Kantana sword; once drawn it has to draw blood before it is returned to its scabbard and creates a bloodlust in those who wield it. Yeah, maybe not the best thing for a guy prone to berserker rages, but it sounds really awesome. Anyway, Muramasa Blade in hand and ‘80’s brown costume as the uniform of the day, at the onset of “Origins” our boy Logan seeks to kick some a$# and probably cut some mofo’s quite severely.
Issue one opens with a ruckus at the White House, and Wolverine threatening the Secretary of State with a simple message, “I remember everything and I’m coming for you”. Yeah. In issue two the President isn’t to happy about that, so he sends in the most serious covert weapon at his disposal to take care of Wolverine, and that weapon would be Nuke. For those of you who may not be familiar with the works of Frank Miller, specifically his famed second (albeit brief) run on Daredevil spanning from issues #226 to #232 (with David Mazuchelli of “Batman: Year One fame handling the art, the famous “Born Again” storyline) Nuke was the crazed government killing machine a desperate Kingpin sicked on Daredevil towards the end of the story. Other than being a pill-popping unstoppable killing machine, Nuke also had a telling tattoo of the American Flag on his face. C’mon now, how many of us old guys remember, “Gimmie a red…”. Okay then, moving right along it turns out Nuke didn’t die at the end of that “Daredevil” arc and he’s actually alive and better. He is no longer dependant on pills and has an extra heart that pumps control drugs throughout his system. We also find out Nuke and Logan have a history, which may or may not bode well for either of them.
This book is definitely a pleasant surprise; Daniel Way has proven himself to be white-hot with “Bullseye vs. Punisher” and the new “Planet Hulk” storyline. Steve Dillon of course is dependable as always, a truly underrated artist whose recent Marvel work in the “Ultimates Annual” and “Punisher” proves he still has it. For those of you fed up with the overabundance of mediocre mutant books, “Origins” is just the thing to put your faith back in the “X”, so check it out, you’ll be surprised.
Manhunter #22
DC Comics
Written by: Marc Andreyko
Drawn by: Javier Pina
I would just like to not after I started writing this review, I found out Manhunter was going to be cancelled. Much of the series is already collected in tpb form, so pick this book up knowing it won’t be around for much longer and most likely will be available in tpb form in the near future. Anyway…
For those of you who don’t know, the DC Universe has been host to many individuals calling themselves “Manhunter” and the newest person to pick the mantle is Kate Spencer: Los Angeles ADA, divorced mother of one. Rounding out “Manhunter’s” cast are Dylan, a former gadget maker for supervillans whom Kate forces into helping her, and Chase Lawler. Yes, that Chase Lawler who briefly had her own DC series “Chase”; anyway she is still an agent of the DEO (Department of Extranormal Operations) and answers directly to a man who goes by the name Mister Bones (probably because his face looks like a freakin’ skull). Moving on, Kate was doing okay before “Infinite Crisis” hit; whupping on the criminals who escaped her in the courtroom, but then her bad guy father (who claims he is the son of the golden age Atom) ended up kidnapping her son and shooting her ex-husband. Yeah, that didn’t do much for her already strained relationship with her ex. She cleaned up that mess and soon found herself caught up in the Battle for Metropolis during the whole “Infinite Crisis” thing. Then thing flashed forward “One Year Later” (I’m real sick of saying that)…
“One Year Later” we find Kate Spencer working for Mister Bones as a defense attorney specializing in superhuman cases. Her latest case is defending Dr. Psycho, who she fought in metropolis. During the trial she meets Dr. Mid-Nite, who she asks to help her discover the truth about who her father really is and that brings us to the beginning of issue 22. Issue 22 has Kate receiving a strange bouquet of flowers that makes her hallucinate she is being submissive to Dr. Psycho, which, well, just isn’t cool. Meanwhile, Chase Lawler has been getting it on with Dylan, Kate’s gadget maker (it’s been happening since the whole “One Year Later” thing started), and we see her leave his house because she is called to investigate a strange metahuman murder. Dylan is soon visited by Kate looking to do some research on Dr. Psycho, but the two find themselves under attack from an old flash villains, and so it goes…
I really find myself at a loss for what to say next. Knowing this book is going to be cancelled, I just can’t say, “go and pick it up, it’s great”. I mean it is pretty cool, I like the way Kate has a human side, and I like the supporting cast, and the art is aiight, maybe not top notch, but it’s not bad. For the most part Manhunter has been an enjoyable book and I’m sorry to see it go. At the very least pick up the trades as they come out, or at least check out this current issue. It’s not for everyone, but it’s definitely entertaining.
DMZ #7
DC/Vertigo Comics
Written by: Brian Wood
Drawn by: Riccardo Burchelli
To catch up those who haven’t checked out this book yet: our story opens five years into the second American Civil War. The conflict is between the United States of America and the “Free States”. According to the White House, these “Free States” Soldiers are “thugs and murderers”, and they are indiscriminate and uncivilized when it comes to warfare in civilian areas. As far as New York City goes, the “Free States” control New Jersey and the inland, and they are amassing at the banks of the Hudson River. The United States of America has Brooklyn, Queens and Long Island and is well dug in on the coastline, with Manhattan Island caught in-between in the “DMZ”. The thing is, there are still people living on Manhattan Island, and even though there has been a formal ceasefire in effect from the last three days (when the story opens) the reality of life there consists of looters, gangs, local militias, insurgents and contract killers. All a day in the life in the DMZ.
Enter rich white-kid Matthew Rose, new intern to Nobel Prize winning journalist Viktor Ferguson. Rose gets a job as his intern on the day Ferguson is supposed to head into combat to do a story on the residents of the DMZ, a “day in the life” kind of thing. To say the least Matthew is caught a little off guard. He finds himself in charge of multi-million dollar equipment and placed in personal (unpaid mind you) servitude to a less than humble journalist who is about to make history with a story that takes them to the very heart of danger. Things soon go to sh$#, Ferguson and his military escort are taken out by enemy combatants, and Matthew finds himself alone, stranded in the DMZ with a crapload of news equipment he is technically responsible for. Soon enough though Matthew finds himself playing the role of an imbedded journalist, not really taking any sides, just trying to report what he sees in what’s becoming a fairly ugly 2nd American Civil War. Issue six is the starts of a new five-part storyline “Body of a Journalist” and opens with a brutal suicide bombing in the middle of a hot summer day in little Italy. Matthew does what he does and plays the unbiased reporter, but the stress of war is starting to get to him (and the New York summer isn’t helping). Things don’t get better for Matt when he has a run in with a group of soldiers he has crossed paths with before. It turns out Matthew’s old boss Viktor Ferguson wasn’t killed by the “enemy” and the resistance (the “free states”) are holding him captive. Why? In issue # seven Matt crosses the Manhattan bridge back into Brooklyn and is immediately taken in by the regular military. They want to send Matt back in to find out why Ferguson is being held captive, and since Matt has become a semi-celebrity with his frontline reports, they figure he is just they guy. The question though, is Matt being played by the army? Is he someone’s pawn, son of a rich man doing the right thing, or is he a man of the people? Has he learned anything in his time in the DMZ? The ending of issue seven gives us the answer…
I met Brian Wood at the NYC comic con and asked him a few questions about DMZ, specifically if there were any personal political feelings that went into this book, and he said no, it was more or less a general dig at the current political climate we find ourselves in the middle of. After reading the first six issues of this book, I would have to say I agree with that statement, and I would also have to say I now would consider myself a fan of DMZ (earlier I had stated I was “on the fence”). If you have been staying away from this book out of fear of its political leanings, don’t, Wood isn’t really taking any sides (like his main protagonist Matthew Rose). If you are interested in seeing a different and chilling take on modern warfare, check this book out.
Special note, wktf is out of town this week on business, he left us with a tpb review, but no comics reviews. He may or may not post some later this week. Word.
There are a lot of good books going on sale this week, Robin, Manhunter and DMZ from DC comics and from Marvel we got Ms. Marvel, Captain America, Wolverine Origins and Ultimate X-men. I love that Steve Dillon, been a fan of his since his days on Hellblazer, so of course my pick of the week is Wolverine Origins, and that being said, on to the reviews…
Wolverine: Origins #2
Marvel Comics
Written by: Daniel Way
Drawn by: Steve Dillon
Awesome Alternate Cover by: Brian Hitch, regular cover by that a$# clown Joe Quesada
For those of you who haven’t been paying attention, “Wolverine: Origins” stems from the events of the “House of M” crossover. During “House of M” all but 198 mutants lost their powers. Wolverine was one of the mutants who kept his powers, but he suddenly found himself with something else as well, all his memories from his entire life, restored (about 100 years worth, give or take). So yeah, all the “Wolverine man of mystery” stuff we’ve been fed since the early Byrne/Claremont days in “Uncanny X-men” is a mystery no more. Now that Wolverine has all of his memories back he is pissed off. Most of his life he has been screwed over by one government or another doing unspeakable, unforgivable things, and the only thing he has left is revenge, revenge against those who wronged him. So Wolverine starts out his journey by knocking on the Silver Samurai’s door, cutting his hand off and taking his Muramasa Blade for his own (this happened in “Wolverine” #40) For those of you who care, the Muramasa Blade is a legendary Japanese Kantana sword; once drawn it has to draw blood before it is returned to its scabbard and creates a bloodlust in those who wield it. Yeah, maybe not the best thing for a guy prone to berserker rages, but it sounds really awesome. Anyway, Muramasa Blade in hand and ‘80’s brown costume as the uniform of the day, at the onset of “Origins” our boy Logan seeks to kick some a$# and probably cut some mofo’s quite severely.
Issue one opens with a ruckus at the White House, and Wolverine threatening the Secretary of State with a simple message, “I remember everything and I’m coming for you”. Yeah. In issue two the President isn’t to happy about that, so he sends in the most serious covert weapon at his disposal to take care of Wolverine, and that weapon would be Nuke. For those of you who may not be familiar with the works of Frank Miller, specifically his famed second (albeit brief) run on Daredevil spanning from issues #226 to #232 (with David Mazuchelli of “Batman: Year One fame handling the art, the famous “Born Again” storyline) Nuke was the crazed government killing machine a desperate Kingpin sicked on Daredevil towards the end of the story. Other than being a pill-popping unstoppable killing machine, Nuke also had a telling tattoo of the American Flag on his face. C’mon now, how many of us old guys remember, “Gimmie a red…”. Okay then, moving right along it turns out Nuke didn’t die at the end of that “Daredevil” arc and he’s actually alive and better. He is no longer dependant on pills and has an extra heart that pumps control drugs throughout his system. We also find out Nuke and Logan have a history, which may or may not bode well for either of them.
This book is definitely a pleasant surprise; Daniel Way has proven himself to be white-hot with “Bullseye vs. Punisher” and the new “Planet Hulk” storyline. Steve Dillon of course is dependable as always, a truly underrated artist whose recent Marvel work in the “Ultimates Annual” and “Punisher” proves he still has it. For those of you fed up with the overabundance of mediocre mutant books, “Origins” is just the thing to put your faith back in the “X”, so check it out, you’ll be surprised.
Manhunter #22
DC Comics
Written by: Marc Andreyko
Drawn by: Javier Pina
I would just like to not after I started writing this review, I found out Manhunter was going to be cancelled. Much of the series is already collected in tpb form, so pick this book up knowing it won’t be around for much longer and most likely will be available in tpb form in the near future. Anyway…
For those of you who don’t know, the DC Universe has been host to many individuals calling themselves “Manhunter” and the newest person to pick the mantle is Kate Spencer: Los Angeles ADA, divorced mother of one. Rounding out “Manhunter’s” cast are Dylan, a former gadget maker for supervillans whom Kate forces into helping her, and Chase Lawler. Yes, that Chase Lawler who briefly had her own DC series “Chase”; anyway she is still an agent of the DEO (Department of Extranormal Operations) and answers directly to a man who goes by the name Mister Bones (probably because his face looks like a freakin’ skull). Moving on, Kate was doing okay before “Infinite Crisis” hit; whupping on the criminals who escaped her in the courtroom, but then her bad guy father (who claims he is the son of the golden age Atom) ended up kidnapping her son and shooting her ex-husband. Yeah, that didn’t do much for her already strained relationship with her ex. She cleaned up that mess and soon found herself caught up in the Battle for Metropolis during the whole “Infinite Crisis” thing. Then thing flashed forward “One Year Later” (I’m real sick of saying that)…
“One Year Later” we find Kate Spencer working for Mister Bones as a defense attorney specializing in superhuman cases. Her latest case is defending Dr. Psycho, who she fought in metropolis. During the trial she meets Dr. Mid-Nite, who she asks to help her discover the truth about who her father really is and that brings us to the beginning of issue 22. Issue 22 has Kate receiving a strange bouquet of flowers that makes her hallucinate she is being submissive to Dr. Psycho, which, well, just isn’t cool. Meanwhile, Chase Lawler has been getting it on with Dylan, Kate’s gadget maker (it’s been happening since the whole “One Year Later” thing started), and we see her leave his house because she is called to investigate a strange metahuman murder. Dylan is soon visited by Kate looking to do some research on Dr. Psycho, but the two find themselves under attack from an old flash villains, and so it goes…
I really find myself at a loss for what to say next. Knowing this book is going to be cancelled, I just can’t say, “go and pick it up, it’s great”. I mean it is pretty cool, I like the way Kate has a human side, and I like the supporting cast, and the art is aiight, maybe not top notch, but it’s not bad. For the most part Manhunter has been an enjoyable book and I’m sorry to see it go. At the very least pick up the trades as they come out, or at least check out this current issue. It’s not for everyone, but it’s definitely entertaining.
DMZ #7
DC/Vertigo Comics
Written by: Brian Wood
Drawn by: Riccardo Burchelli
To catch up those who haven’t checked out this book yet: our story opens five years into the second American Civil War. The conflict is between the United States of America and the “Free States”. According to the White House, these “Free States” Soldiers are “thugs and murderers”, and they are indiscriminate and uncivilized when it comes to warfare in civilian areas. As far as New York City goes, the “Free States” control New Jersey and the inland, and they are amassing at the banks of the Hudson River. The United States of America has Brooklyn, Queens and Long Island and is well dug in on the coastline, with Manhattan Island caught in-between in the “DMZ”. The thing is, there are still people living on Manhattan Island, and even though there has been a formal ceasefire in effect from the last three days (when the story opens) the reality of life there consists of looters, gangs, local militias, insurgents and contract killers. All a day in the life in the DMZ.
Enter rich white-kid Matthew Rose, new intern to Nobel Prize winning journalist Viktor Ferguson. Rose gets a job as his intern on the day Ferguson is supposed to head into combat to do a story on the residents of the DMZ, a “day in the life” kind of thing. To say the least Matthew is caught a little off guard. He finds himself in charge of multi-million dollar equipment and placed in personal (unpaid mind you) servitude to a less than humble journalist who is about to make history with a story that takes them to the very heart of danger. Things soon go to sh$#, Ferguson and his military escort are taken out by enemy combatants, and Matthew finds himself alone, stranded in the DMZ with a crapload of news equipment he is technically responsible for. Soon enough though Matthew finds himself playing the role of an imbedded journalist, not really taking any sides, just trying to report what he sees in what’s becoming a fairly ugly 2nd American Civil War. Issue six is the starts of a new five-part storyline “Body of a Journalist” and opens with a brutal suicide bombing in the middle of a hot summer day in little Italy. Matthew does what he does and plays the unbiased reporter, but the stress of war is starting to get to him (and the New York summer isn’t helping). Things don’t get better for Matt when he has a run in with a group of soldiers he has crossed paths with before. It turns out Matthew’s old boss Viktor Ferguson wasn’t killed by the “enemy” and the resistance (the “free states”) are holding him captive. Why? In issue # seven Matt crosses the Manhattan bridge back into Brooklyn and is immediately taken in by the regular military. They want to send Matt back in to find out why Ferguson is being held captive, and since Matt has become a semi-celebrity with his frontline reports, they figure he is just they guy. The question though, is Matt being played by the army? Is he someone’s pawn, son of a rich man doing the right thing, or is he a man of the people? Has he learned anything in his time in the DMZ? The ending of issue seven gives us the answer…
I met Brian Wood at the NYC comic con and asked him a few questions about DMZ, specifically if there were any personal political feelings that went into this book, and he said no, it was more or less a general dig at the current political climate we find ourselves in the middle of. After reading the first six issues of this book, I would have to say I agree with that statement, and I would also have to say I now would consider myself a fan of DMZ (earlier I had stated I was “on the fence”). If you have been staying away from this book out of fear of its political leanings, don’t, Wood isn’t really taking any sides (like his main protagonist Matthew Rose). If you are interested in seeing a different and chilling take on modern warfare, check this book out.