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Old 07-01-2015, 10:49 AM   #21
Thor57
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I think Vol II is as unique a title as the movie franchise itself is to the MCU. As much as we know its tied in, it still is able to exist outside Cap and Thor and IM. I too think some of the titles have been silly, while some worked. Captain America: The Winter Soldier is a great one. Thor: The Dark World as an awful title. That one should have just been The Mighty Thor.
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Old 10-28-2015, 07:50 PM   #22
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Some casting news.
http://www.comicbookmovie.com/fansit...news/?a=126399
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Old 10-29-2015, 09:12 AM   #23
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Moondragon?

It would take some story telling, and a bit of finesse, but with the father theme they're going with, she could be tied to Drax.

Know nothing of the actress herself though.
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Old 10-29-2015, 05:59 PM   #24
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Mantis.
http://www.comicbookmovie.com/fansit...news/?a=126448
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Old 10-29-2015, 07:00 PM   #25
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Has anyone seen Oldboy, or anything she's in? Can she act?
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Old 01-06-2016, 06:49 PM   #26
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Movie to be shot in 8k
http://nofilmschool.com/2016/01/guar...-vision-camera
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Old 01-07-2016, 03:14 PM   #27
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https://www.facebook.com/jgunn/posts/10153095262726157

James Gunn:

"With the announcement that Guardians of the Galaxy Vol. 2 will be the first film to shoot on the RED Weapon 8K, I've received a lot of excitement from a lot of people. THANKS! However, I also get a lot of folks asking why we chose not to shoot on film, and it's assumed we aren't doing so because of the expense.

So, if you're interested, here's the deal.

When you're shooting a film at the level of Guardians of the Galaxy, the cost of film vs. digital is negligible - for me it's an aesthetic and creative choice.

Firstly, I believe when shooting on a format like the Red Weapon 8K or the Alexa 65, the amount of data is so massive - certainly more so than on a strip of film - that it gives you more freedom in production and post production to create exactly the film you want to create than actual film does. As anyone who has ever worked with me knows, I am a control freak. Such high resolution gives me the ability to control ever single bit of data (to do so would take a long time, but at least the knowledge comforts me). Many filmmakers look to essentially replicate the look of film, but I don't share that interest. I believe that innovations in camera and shooting technologies as well as visual and practical effects gives us the ability to create a new aesthetic of film, one different from what the past has offered but equally beautiful - perhaps even more so. I respect many of the filmmakers who continue to shoot on film - and some of the most gorgeous movies of 2015 have been in that format. But I think sometimes that the love of actual film is based in nostalgia more than it is in objective beauty. Many filmmakers remember the films of their youth and want to replicate that magic. For me, I'm interested in being one of the many who help to create a new kind of magic that will usher the cinematic experience into the future. What will the children of today think of fondly with nostalgia?

And, yes, most filmmakers who have shot digital have underutilized the format. But with these new cameras their advantages are easier to see for everyone.

And there are three other reasons I chose this format:

1) It is easier to seamlessly incorporate massive amounts of visual, digital effects - including a digital tree and raccoon - into a digital base.
2) One of the ways I capture my actor's performances is by doing massively long takes, over and over - sometimes up to an hour - much longer than your typical 11-minute reel of film. I find this a better way to capture the energy and rawness in a performance (and we get better outtakes of me yelling at Michael Rooker off-screen).
3) Guardians of the Galaxy Vol. 2 will be utilizing another new technologies I'm very excited about but can't quite go into yet. But, for this technology, you need a camera the small size of the RED Weapon - a film camera is too big, as is the Alexa 65 (which is also an amazing camera).

Have a wonderful day."
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Old 01-07-2016, 05:10 PM   #28
CessnaDriver
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Artists use all sorts of mediums and tools.
Movies are no different, the final work of art is all that matters.
This guy brought GOTG to life in a way I am so remarkably grateful for. He knows what he is doing.
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Old 01-11-2016, 12:07 PM   #29
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James Gunn:

" I usually find out about people dying on Twitter these days, as it's one of the first places I check on my phone when I wake up in the morning. It's only been about fifteen minutes or so since I learned of David Bowie's passing there, and I'm reeling. And horribly sad.

69 years old. Goddammit. I know we're supposed to be positive in situations like this, but that's just seems too young to me. ****ing cancer.

Just a very short while ago Kevin Feige and I were talking about a cameo role in Guardians Vol. 2, and he brought up Bowie's name. I told him nothing in the world would make me happier, but I heard from common friends he wasn't doing well. We heard back that he was okay and it could potentially happen. Who knows what that was about? But, for whatever reason, it made my Twitter revelation more of a surprise.

I just "liked" some of the photos on his Facebook fan page last night.

Bowie was an idol of mine, huge and omnipresent. Few artists in any field have had as an indelible impression upon me as he has. To my mind, Ziggy Stardust is perhaps the greatest rock and roll album of all time. We featured "Moonage Daydream" in Guardians, but I always thought the album's character was felt far beyond that, in the aesthetics, in the integral and seemingly-natural linking in popular culture of '70's rock and space opera. I've been trying to work another song from Ziggy into the sequel, which would make Bowie the only artist to have a song on both Vol. 1 and Vol. 2. I thought this was fair and appropriate. Although I cut the scene it was used in from the script, we have the rights. Who knows. Maybe I can figure a way out.

It's also fair that I come clean that the use of "Life on Mars" in Breaking the Waves was one of the linchpins for me and the use of music in Guardians: much of what I did was imitating that perfect blend of oddness and familiarity, of irony and aptness.

My pop cultural connection to Bowie goes deeper as it was the music that was playing the night I hit bottom on alcohol and drugs as a very young person. I got sober that night, and those songs - "TVC15", "Star", "Suffragette City" - are now deeply embedded in my psyche. They all have a frightening, almost-religious context in my personal history. I'll have to save those stories for another time.

I wish I could be more eloquent, but I'm gutted.

Thank you, David, for all you've given to my life, my relationships, and my career. Thank you most for helping me to make it through high school. Your music let me believe there was something magic out there, I only needed to hold on a few more years to experience it. I'm glad I did.

And, especially, love to Duncan and the rest of the family. This is so difficult for all of us who loved the icon. I know it is infinitely more so for those who loved the human being. "

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Old 01-11-2016, 02:33 PM   #30
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Still one of my top 10 albums of all time.
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